Austin Film Festival is pleased to announce their 16th annual Film & Food Fundraising Party, an evening dedicated to celebrating Austin's thriving film industry and famous culinary talent. Held in the glamorous and historic Driskill Hotel, the event brings Austinites and visitors together to celebrate the film arts and enjoy flowing cocktails and inventive cuisine from some of Austin’s most notable chefs. Live and silent auctions showcase the very best in luxury items, trips, and experiences. Proceeds from the event benefit AFF’s Young Filmmakers Program. YFP was founded to encourage youth to explore their creativity and improve their literacy skills through the arts of screenwriting and filmmaking.

For more information! Austin Film Festival welcomes you to its 25th annual celebration of storytelling through film, television, theater, narrative fiction podcasting, and new media. Bringing together industry icons, independent filmmakers, aspiring storytellers, and everyone in between, this year features intimate discussions, workshops, premieres, retrospectives, parties, and limitless networking opportunities. Join AFF staff and special guests for Opening Remarks to learn more about the week ahead, last-minute additions and changes, and new special guests.Sign Language Interpretation provided by Communication by Hand.

It’s the 16th Annual Austin Film Festival Pitch Competition! This unique event allows contestants 90 seconds to pitch their best ideas to a panel of judges made of up agents, producers, managers, and screenwriters in a constructive and friendly environment. Give your best pitch in 90 seconds and secure your spot in the finals at the Pitch Finale Party on Saturday night. All Pitch Sessions require an advance sign-up and are held at St.

David’s Episcopal Church in the Vestry Conference Room, located at 301 E 8th Street.Get in-depth answers to your questions about the art, craft and business of writing for film. This roundtable session offers registrants exclusive access to screenwriters, directors, producers, executives, and studio reps in an informal setting.

Come prepared with questions that focus on the importance of both the creative and business sides of breaking into and writing for film.This Roundtable requires advance registration at the Roundtable Sign-up Table in the Driskill Mezzanine; the Roundtable takes place at St. David’s Episcopal Church’s Crail Hall, located at 301 E 8th Street. Only one roundtable sign-up slot per registrant. Registrants must have the day-appropriate badge.

ROUNDTABLE SIGN UP HOURS: Registrants must sign up for Roundtable Sessions in the Mezzanine of the Driskill Hotel! Wednesday, October 24 12:00PM-5:00PM Thursday, October 25 8:30AM-5:00PM Friday, October 26 8:30AM-5:00PM Saturday, October 27 8:30AM-3:00PM. A stubborn IRS agent uncovers a nasty conspiracy when he tries to collect taxes from an unusual client in a post-apocalyptic wasteland. Written by: Chance Muehleck Seven scripts have been chosen from this year’s group of Semifinalists and Finalists in the Screenplay, Playwriting, and Fiction Podcast Competitions to be read aloud in our Script Reading Workshops. These selected scripts will be performed by a group of actors in an intimate setting. The read-throughs will be bare-bones. With only actors and the words on the page, it is the ultimate testament to the quality of the written word.

It’s the 16th Annual Austin Film Festival Pitch Competition! This unique event allows contestants 90 seconds to pitch their best ideas to a panel of judges made of up agents, producers, managers, and screenwriters in a constructive and friendly environment. Give your best pitch in 90 seconds and secure your spot in the finals at the Pitch Finale Party on Saturday night. All Pitch Sessions require an advance sign-up and are held at St. David’s Episcopal Church in the Vestry Conference Room, located at 301 E 8th Street.For Producers Badges only, sit down for intimate, informal, and in-depth conversations with select panelists on the art, craft, and business of storytelling through film, television, and new media.This Conference Q&A Session requires advance registration at the Roundtable Sign-up Table in the Driskill Mezzanine; the Roundtable takes place at The Driskill Hotel's Citadel Club.

Only one roundtable sign-up slot per registrant. Registrants must have the day-appropriate badge. ROUNDTABLE SIGN UP HOURS: Registrants must sign up for Roundtable Sessions in the Mezzanine of the Driskill Hotel!

Wednesday, October 24 12:00PM-5:00PM Thursday, October 25 8:30AM-5:00PM Friday, October 26 8:30AM-5:00PM Saturday, October 27 8:30AM-3:00PM. Come experience the famous “HartChart” first-hand. Hart (Hook, Contact, Bram Stoker’s Dracula) will explore how to develop characters and stories by getting to the “heart” of the script. Using Jordan Peele’s award-winning Get Out as a case study, join this breakdown of establishing main character desires, charting the progress toward their goals, and creating a successful resolution while keeping the script full of thrills.

Using the HartChart’s guidelines for implementing craft, learn how to embrace structure as a friend, rather than an enemy, and how to flesh out ideas for the screen. THIS IS AN EXTENDED PANEL THAT WILL END AT 4:15PM. (USA, 110 min) Writer/Director: Brady Corbet (in attendance) Cast: Natalie Portman (in attendance), Raffey Cassidy, Stacy Martin, Jude Law Vox Lux begins in 1999 when teenage sisters Celeste and Eleanor survive a seismic, violent tragedy. The sisters compose and perform a song about their experience, making something lovely and cathartic out of catastrophe — while also catapulting Celeste to stardom.

By 2017, the now 31-year-old Celeste is mother to a teenage daughter of her own and struggling to navigate a career fraught with scandals when another act of terrifying violence demands her attention.Please be aware that this film contains graphic violence. Viewer discretion advised. Not appropriate for children under the age of 18. Please note large bags will not be allowed into the Paramount or State Theatres. For more information about the bag policy please view link below for details: http://www.austintheatre.org/events-tickets/box-office/. (USA, 88 min) Writers:Sara Zandieh, Stephanie Wu Director:Sara Zandieh Cast: Tara Grammy, Christopher O’Shea, Shohreh Aghdashlo, Rita Wilson, Maz Jobrani Though her Iranian parents long for their daughter to have the perfect Persian wedding, Nousha can’t seem to hold a relationship together long enough to ever see that through.

That is, until she meets Alex, an eccentric bisexual artist who might just be the one. However when Nousha’s parents find out about the blossoming relationship, she’s pressured into tying the knot before either of them are already.

The thrust-upon wedding becomes a runaway train as cultures clash and families collide. (USA, 97 min) Writers: Jon Strong, Ted Haddock, John King, Mike Quinn Jr. Director: Jon Strong In 1955 when racial segregation defined the South, two groups of 12-year-old boys stepped onto a baseball field for one of the first integrated Little League games in the South.

The all-Black Pensacola Jaycees and the all-White Orlando Kiwanis moved beyond fears, threats, and the unknown to break with tradition and show the world what was possible. Now, more than 60 years later, team captains Will Preyer (Pensacola) and Stewart Hall (Orlando) embark on personal journeys back to the 1955 game and find that the forgotten event can become a bridge to embracing the turbulence of today’s social landscape. (USA, 94 min) Writer/Director: Jason Noto Cast: Zane Holtz, Tammy Blanchard, Azhy Robertson, Chance Kelly Soldier Ray Marrow is suddenly called back stateside when his wife, Maisie and their 5 year-old son, Lawrence, are involved in a car accident, tragically killing Maisie.

After years of serving as a soldier in Syria, Ray is now faced with burying the love of his life while also becoming a single parent. However when Lawrence begins to reveal secrets about the town and its residents, Ray believes the accident triggered something in Lawrence, giving him knowledge of things he had no way of knowing. Now Ray is faced with a new battle, this time in his own hometown. ​​​​ Please note large bags will not be allowed into the Paramount or State Theatres. For more information about the bag policy please view link below for details: http://www.austintheatre.org/events-tickets/box-office/. (USA/Paraguay, 75 min) Writers: Jean Lee, Maia Nikiphoroff Director: Jean Lee Cast: Maia Nikiphoroff, Cesar Di Bello, Alejandro Torres Menchaca After moving to Spain for her husband, Eva, a Paraguayan woman of class and elegance who always behaves in an appropriate way, finds herself bored, unhappy, and sexually frustrated. After Eva compulsively buys a provocative and offensive piece of art the painter shows up to hand-deliver his work.

Their sexual tension grows until they inevitably end up in bed. When Eva’s husband returns home early, an absurd battle of strengths and weaknesses among the three characters ensues.

(USA, 90 min) Writers: Brian Hanson, Richard Handley Director: Brian Hanson Cast: Frankie Muniz, Blake Webb, Chelsea Edmundson, Cullen Douglas Jonathan is a lonely twenty-something, stuck in his home town working nightshifts at the local convenience store. When an unexpected encounter with a mysterious woman turns his life upside down, Jonathan is stricken by illness and nightmarish visions. Paranoid and desperate, he launches on a quest across the suburbs to find the seductress who started it all. Friends and family believe he’s losing his mind, but Jonathan is convinced he’s the target of something far more sinister.

​​​​ Please note large bags will not be allowed into the Paramount or State Theatres. For more information about the bag policy please view link below for details: http://www.austintheatre.org/events-tickets/box-office/. The WGA West Late Night Welcome Party celebrates the first full day of panels and is a great end to the day's packed schedule. Hosts include Jason Fuchs, Christina Hodson, Tess Morris, and Nicole Perlman, who also appear on Friday’s WGAW “The Creative Career” panel, moderated by John August. This party sets the tone for the rest of the week as panelists, filmmakers, screenwriters and attendees discuss what the rest of the conference and festival have in store. Grab a beer or a glass of wine and enjoy the first late night party-but pace yourself, you've got a lot more ahead!

All WGA members gain access to the party 30-minutes early. Bring your membership card, come early, and stay late! Must have an AFF Conference, Producers or Press Badge or be on the WGA West Guest List for entry. All parties are 21 and up.

Science fiction is the ultimate creative canvas—any world you can imagine is possible. But there’s also a part where audiences can’t help but wonder—could this really happen? Join this discussion with writers and scientists alike on balancing fiction with fact and what’s required for viewers to truly suspend their disbelief so the appearance of truth is always within arm’s reach. After all, the science fiction of today could very well be the science fact of tomorrow. This panel is presented by The Science and Entertainment Exchange.

It’s the 16th Annual Austin Film Festival Pitch Competition! This unique event allows contestants 90 seconds to pitch their best ideas to a panel of judges made of up agents, producers, managers, and screenwriters in a constructive and friendly environment.

Give your best pitch in 90 seconds and secure your spot in the finals at the Pitch Finale Party on Saturday night. All Pitch Sessions require an advance sign-up and are held at St. David’s Episcopal Church in the Vestry Conference Room, located at 301 E 8th Street.For Producers Badges only, sit down for intimate, informal, and in-depth conversations with select panelists on the art, craft, and business of storytelling through film, television, and new media.This Conference Q&A Session requires advance registration at the Roundtable Sign-up Table in the Driskill Mezzanine; the Roundtable takes place at The Driskill Hotel's Citadel Club. Only one roundtable sign-up slot per registrant.

Registrants must have the day-appropriate badge. ROUNDTABLE SIGN UP HOURS: Registrants must sign up for Roundtable Sessions in the Mezzanine of the Driskill Hotel! Wednesday, October 24 12:00PM-5:00PM Thursday, October 25 8:30AM-5:00PM Friday, October 26 8:30AM-5:00PM Saturday, October 27 8:30AM-3:00PM. In the world of independent film, everyone on a production does, well, everything: directors write, actors produce, and someone’s mom does props.

But on a shoot, amidst the chaos of doing a million other jobs, building a good actor-director relationship is crucial to making the film a success. As a director, how can you be an effective creative leader, even as you’re setting locations and dealing with last-minute script changes? And as an actor, how can you put in the focus necessary for your craft even while you feel pressure to pick up other duties on a production? Seasoned independent filmmakers will give you tips on how to make the most of this delicate dynamic.

Sure, there are a lot of scripts out there, and a lot of writers who want their work to be discovered, but there are also a lot different places you can go to take that next step into the world of screenwriting. Countless writers find success by submitting their work to various programs around the world. Screenwriters labs, writing workshops, and fellowships all have their strengths and a list of successful alumni to prove it, but what separates one from another, and which one is the best fit for you? Join this panel for a discussion on the variety of options, what they can offer, and using these programs as a means to break in.

It’s the 16th Annual Austin Film Festival Pitch Competition! This unique event allows contestants 90 seconds to pitch their best ideas to a panel of judges made of up agents, producers, managers, and screenwriters in a constructive and friendly environment. Give your best pitch in 90 seconds and secure your spot in the finals at the Pitch Finale Party on Saturday night. All Pitch Sessions require an advance sign-up and are held at St. David’s Episcopal Church in the Vestry Conference Room, located at 301 E 8th Street.For Producers Badges only, sit down for intimate, informal, and in-depth conversations with select panelists on the art, craft, and business of storytelling through film, television, and new media.This Conference Q&A Session requires advance registration at the Roundtable Sign-up Table in the Driskill Mezzanine; the Roundtable takes place at The Driskill Hotel's Citadel Club. Only one roundtable sign-up slot per registrant.

Registrants must have the day-appropriate badge. ROUNDTABLE SIGN UP HOURS: Registrants must sign up for Roundtable Sessions in the Mezzanine of the Driskill Hotel! Wednesday, October 24 12:00PM-5:00PM Thursday, October 25 8:30AM-5:00PM Friday, October 26 8:30AM-5:00PM Saturday, October 27 8:30AM-3:00PM. Get in-depth answers to your questions about the art, craft, and business of screenwriting. This session offers Second Rounds from the Screenplay Competition exclusive access to writers, executives, studio reps, agents, managers, producers, and attorneys in an informal setting.

Take advantage of this invaluable opportunity to ask those burning questions: What’s the best way to overcome writer’s block? Or risk a taking a new direction after established success?

How do I find representation? Are studios buying spec scripts? What are emerging trends in the industry? Don’t miss your chance to ask all this and more without being charged by the hour or forgoing a percentage of your script sale.This roundtable is open to Second Rounders only.

Roundtables required advance sign-up through the Screenplay Department. (USA, 92 min) Director:Richard Miron In a small New York town, an unusual woman named Kathy lives with two hundred pet chickens, ducks, geese, and turkeys. What starts as a story seemingly about Kathy’s battle with local animal advocacy groups slowly transforms into an intimate drama about her relationship with her husband Gary and the toll the birds have taken on their marriage and her well-being. Filmed over the course of five years, this sensitive tale of one woman’s world breaking down is ultimately one of hope about the possibility of regaining one’s life. Over the past 60 years, Roger Corman has defined himself as a cornerstone of independent filmmaking. With over 500 film credits to his name, his projects have launched the careers of some of the biggest names in Hollywood.

Corman's self-made, formulistic approach to low-budget filmmaking invigorated a budding indie film scene and further cemented his sphere of influence in modern Hollywood. Join AFF 2018's Extraordinary Contribution to Film awardee for an in-depth conversation on an unmatched career. Netflix's Friends From College follows six Harvard alums in their 40s living in New York City and the complicated relationships they have with each other. With an all-star comedic cast, the series brings humor and absurdity to the relatable challenges of career, family, relationships and just trying to hold it all together. Starring Keegan-Michael Key, Cobie Smulders, Fred Savage, Jae Suh Park, Annie Parisse and Nat Faxon, the second season returns to Netflix in 2019. Sit down with co-creators and husband and wife duo Nicholas Stoller and Francesca Delbanco as they discuss the process of creating a show together and how they balance writing and directing a series while also raising a family.

“Why don’t you write it as a book?” With the prominence of IP and crossover hits from Game of Thrones to Thirteen Reasons Why, the world of publishing has new and increasing relevance for film and TV. This panel will provide film and TV writers and other industry members an overview of the publishing process, from first page to finished book and beyond. Topics covered will include publishing industry gatekeeping and agenting, adapting scripts into novels, having your novel adapted, and creative skills applicable in screenwriting and novel-writing.

The panel will provide instruction on navigating the publishing world and perspectives on how publishing could increase opportunities for writers to have their work produced. Pixar Animation Studios has a story development process that is unique in the industry. In this panel, Matt Aldrich, co-writer of Coco, and Mike Jones, who has written for several Pixar movies, will describe the intensely collaborative way writers work with directors and story artists. Development Executives Mary Coleman and Emily Mollenkopf will walk you through how Pixar scouts writers, matches them with directors, then supports them in creating engaging characters, believable worlds, and compelling stories.

It’s the 16th Annual Austin Film Festival Pitch Competition! This unique event allows contestants 90 seconds to pitch their best ideas to a panel of judges made of up agents, producers, managers, and screenwriters in a constructive and friendly environment. Give your best pitch in 90 seconds and secure your spot in the finals at the Pitch Finale Party on Saturday night. All Pitch Sessions require an advance sign-up and are held at St. David’s Episcopal Church in the Vestry Conference Room, located at 301 E 8th Street.Get in-depth answers to your questions about the art, craft and business of writing for film. This roundtable session offers registrants exclusive access to screenwriters, directors, producers, executives, and studio reps in an informal setting. Come prepared with questions that focus on the importance of both the creative and business sides of breaking into and writing for film.This Roundtable requires advance registration at the Roundtable Sign-up Table in the Driskill Mezzanine; the Roundtable takes place at St.

David’s Episcopal Church’s Crail Hall, located at 301 E 8th Street. Only one roundtable sign-up slot per registrant. Registrants must have the day-appropriate badge. ROUNDTABLE SIGN UP HOURS: Registrants must sign up for Roundtable Sessions in the Mezzanine of the Driskill Hotel! Wednesday, October 24 12:00PM-5:00PM Thursday, October 25 8:30AM-5:00PM Friday, October 26 8:30AM-5:00PM Saturday, October 27 8:30AM-3:00PM. Join screenwriters Scott Beck and Bryan Woods for a conversation about their original horror hit A Quiet Place.

Beck and Woods will discuss the process of storytelling with little dialogue and how to create tension that keeps people on the edge of their seats. THIS PANEL HAS EXTENDED TIME AND WILL END AT 3:00PM.Those who enrolled in the advance sign-up for this session are required to show up 15 minutes early and will be admitted first. The remaining seats will then open to day appropriate badge holders. (TRT: 101 min) Atlantic City (USA, 15 min) Director/Writer: Miguel Alvarez A drifter sets off to find his estranged mother but finds a new mission when he meets a teenage runaway who needs his help.

By Dan Jenkins (USA, 20 min) Directors: Kelly Lipscomb, Matt Tisdale After a life filled with covering the most prestigious tournaments in the world; renowned golf and football expert Dan Jenkins sheds further light on his beginnings and how the two sports have shaped his life. Muerte (USA, 13 min) Writer/Director: Harold Fisch On the night he seeks to dive head first into his work, an artist discovers hidden secrets of his lineage and begins to learn his true purpose.

Goodbye Sirena (USA, 7 min) Writer: Tracee Beebe Director: Melissa Dalley Molly and her mother navigate memory and grief as they find an unexpected way to say goodbye. Lovers at Night (USA, 5 min) Director: Alexander M. Rosales A man awaits his date, but is met with something else: rejection. Tightly Wound (USA, 10 min) Writer/Director: Shelby Hadden A woman recounts her experience living with chronic pelvic pain and how health professionals have failed her, men have rejected her, and complex emotions have plagued her body. The Wilderness (USA, 15 min) Writer: Zachary Jones Director: Agustin Navarro Three soldiers on the battlefield deal with the raw emotions of taking a life.

Tempestad (USA, 16 min) Writer/Director: Daniel E. Garcia It's opening day of The Tempest at Alex's prestigious high school, but he and his brother must first accomplish a colossal tree service project to keep the family business alive. In the future, death and aging are of little concern to the super wealthy when they can simply occupy the fresh corpse of a poor person. As one family faces the moral implications of buying eternal life, they learn what it really means to be alive. Written by: Neil McGowan Seven scripts have been chosen from this year’s group of Semifinalists and Finalists in the Screenplay, Playwriting, and Fiction Podcast Competitions to be read aloud in our Script Reading Workshops. These selected scripts will be performed by a group of actors in an intimate setting.

The read-throughs will be bare-bones. With only actors and the words on the page, it is the ultimate testament to the quality of the written word. Larry Wilmore has been a television producer, actor, comedian, and writer for more than 25 years.

As a writer he’s been behind television comedies The PJs, The Bernie Mac Show, and HBO’s Insecure, which he co-created with star Issa Rae. On camera, Wilmore is known for his memorable appearances as the “Senior Black Correspondent” on The Daily Show with Jon Stewart and as the host of Comedy Central’s The Nightly Show with Larry Wilmore. Join 2018’s Extraordinary Contribution to Television Awardee for a conversation on comedy—in front of and behind the camera.Sign Language Interpretation provided by Communication by Hand. It’s the 15th Annual Austin Film Festival Pitch Competition! This unique event allows contestants 90 seconds to pitch their best ideas to a panel of judges made of up agents, producers, managers, and screenwriters in a constructive and friendly environment. Give your best pitch in 90 seconds and secure your spot in the finals at the Pitch Finale Party on Saturday night.

All Pitch Sessions require an advance sign-up and are held at St. David’s Episcopal Church in the Vestry Conference Room, located at 301 E 8th Street.Get in-depth answers to your questions about the art, craft and business of writing for television.

How do you break in? What is the dynamic in a writers’ room and the difference between various jobs involved? How is the changing landscape of television affecting the role of a writer?

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This roundtable session offers registrants exclusive access to TV writers, producers, showrunners, and executives in an informal setting. Come prepared with questions that focus on the importance of both the creative and business sides of breaking into and writing for television.This Roundtable requires advance registration at the Roundtable Sign-up Table in the Driskill Mezzanine; the Roundtable takes place at St.

David’s Episcopal Church’s Crail Hall, located at 301 E 8th Street. Only one roundtable sign-up slot per registrant. Registrants must have the day-appropriate badge. ROUNDTABLE SIGN UP HOURS: Registrants must sign up for Roundtable Sessions in the Mezzanine of the Driskill Hotel! Wednesday, October 25 12:00PM–5:00PM Thursday, October 26 8:30AM–5:00PM Friday, October 27 8:30AM–5:00PM Saturday, October 28 8:30AM–3:00PM.

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